“Ohne Ergebnis wurde die Kralle wohl niemals angesetzt”

Reflections on Kafka’s Zoopoetics in “Erinnerungen an die Kaldabahn” and “Der Bau”

Authors

DOI:

https://doi.org/10.21814/2i.7212

Keywords:

Franz Kafka, zoopoetics, rats and mice, metaphor, writing

Abstract

This article reconsiders Franz Kafka’s little-known fragment Erinnerungen an die Kaldabahn (1914) [Memories of the Kalda Railway] as a key document for his zoopoetics. Set in a remote railway outpost, the narrative centres on a solitary station agent whose hut is incessantly undermined by burrowing rats, a nocturnal activity that gradually comes to figure the writing process itself. The animals appear both as agents of inscription and as a threatening force that destabilizes the very ground on which writing rests. Tracing a trajectory from Erinnerungen an die Kaldabahn to the late story Der Bau [The Burrow], the article shows how Kafka develops a poetics in which animality mediates questions of identity and mediality, exposing writing as a material practice that resists mastery and requires an uneasy accommodation with nonhuman forces already at work within language.

Downloads

Download data is not yet available.

References

Benjamin, W. (1991). Franz Kafka. Zur zehnten Wiederkehr seines Todestages. In Gesammelte Schriften (pp. 409–438), ed. R. Tiedemann e H. Schweppenhäuser. Suhrkamp. vol. 2.

Corngold, S. (1988). Franz Kafka: The necessity of form. Cornell University Press.

Deleuze, G. e Guattari, F. (1997). Mil platôs. Capitalismo e esquizofrenia, vol. 4. Trad. S. Rolnik. Editora 34.

Driscoll, K. (2015). (A) is for animal: Speech and voice in Ovid and Kafka. In F. Kafka, The metamorphosis (pp. 184–96), trad. S. Bernofsky, ed. M. M. Anderson. W.W. Norton.

Driscoll, K. (2017). An unheard, inhuman music: Narrative voice and the question of the animal in Kafka’s “Josephine, the singer or the mouse folk”. Humanities, 6(2), 26. https://doi.org/10.3390/h6020026.

Driscoll, K. e Hoffmann, E. (Eds.) (2018). What is zoopoetics? – Texts, bodies, entanglement. Palgrave Macmillan.

Heidegger, M. (1976). Brief über den Humanismus. In Gesamtausgabe, vol. 9: Wegmarken (pp. 313–64), ed. F.-W. von Herrmann. Vittorio Klostermann.

Heidegger, M. (1977). Wozu Dichter? In Gesamtausgabe, vol. 5: Holzwege (pp. 269–320), ed. F.-W. von Herrmann. Vittorio Klostermann.

Kafka, F. (1990). Tagebücher. Edição crítica. Eds. H.-G. Koch, M. Müller e M. Pasley. 3 vols. Fischer. = KKAT

Kafka, F. (1992). Nachgelassene Schriften und Fragmente II. Edição crítica. Ed. J. Schillemeit. 2 vols. Fischer. = KKAN II

Kafka, F. (1993). Nachgelassene Schriften und Fragmente I. Edição crítica. Ed. J. Schillemeit. 2 vols. Fischer. = KKAN I

Kafka, F. (1994). Drucke zu Lebzeiten. Edição crítica. Eds. H.-G. Koch, W. Kittler e G. Neumann. Fischer. = KKAD

Kafka, F. (2005). Briefe, April 1914–1917. Edição crítica. Ed. H.-G. Koch. Fischer. = KKAB 3

Kafka, F. (2014). Diários. Diários de Viagem. Trad. I. Castro Silva. Relógio D’Água.

Kafka, F. (2023). Todos os Contos. Conforme a edição crítica. Trad. Á. Gonçalves. Livros do Brasil.

Kremer, D. (2006). Verschollen. Gegenwärtig. Franz Kafkas Roman Der Verschollene. In H. L. Arnold (Ed.). Franz Kafka [2ª ed.] (pp. 238–53). Text + Kritik.

Lippit, A. M. (2000). Electric animal: Toward a rhetoric of wildlife. University of Minnesota Press.

Menke, B. (2000). Prosopopoiia. Stimme und Text bei Brentano, Hoffmann, Kleist und Kafka. Fink.

Müller, M. (1992). Wohin gehst du kleines Kind im Walde? Über Erinnerungen an die Kaldabahn. In H. D. Zimmermann (Ed.). Nach erneuter Lektüre: Franz Kafkas “Der Process” (pp. 75–84). Königshausen & Neumann.

Neumann, G. (1968). Umkehrung und Ablenkung: Franz Kafkas »Gleitendes Paradox«. DVjs, 42 [ed. especial], 702–44.

Pasley, M. (1992). Wie der Roman entstand. In H. D. Zimmermann (Ed.). Nach erneuter Lektüre: Franz Kafkas “Der Process” (pp. 11–34). Königshausen & Neumann,.

Politzer, H. (1962). Franz Kafka, parable and paradox. Cornell University Press.

Published

2026-06-27

How to Cite

“Ohne Ergebnis wurde die Kralle wohl niemals angesetzt”: Reflections on Kafka’s Zoopoetics in “Erinnerungen an die Kaldabahn” and “Der Bau”. (2026). Journal 2i: Identity and Intermediality Studies, 8(13), 41-56. https://doi.org/10.21814/2i.7212

Similar Articles

You may also start an advanced similarity search for this article.