MIGRAÇÕES, FRONTEIRAS POLÍTICAS E MUNDO DIGITAL. FORMAS DE (IN)VISIBILIDADE E ESTRATÉGIAS DISRUPTIVAS NO ATIVISMO LITERÁRIO E ARTÍSTICO

Autores

  • Paulo Silva Pereira Universidade de Coimbra

DOI:

https://doi.org/10.21814/diacritica.388

Palavras-chave:

migração, marginalização, ativismo, práticas artísticas, poesia digital

Resumo

Muitos estudos têm abordado a questão da migração e do desenraizamento, um dos principais desafios geopolíticos do nosso tempo, mas são em menor número os que levaram a cabo essa análise com base num quadro interdisciplinar e selecionando
práticas literárias e artísticas de contexto transnacional. O objetivo deste artigo é descrever o modo como os artistas usam a especificidade do meio e do mecanismo nos seus projetos para refletir sobre a atual crise migratória e a migração forçada,
criticar as estratégias securitárias ou a política de imigração nos últimos anos, ou explorar um uso tático de tecnologias para alargar a consciência pública e o debate político. Foca em especial os processos migratórios mexicanos com destino aos Estados Unidos e sua conexão com o imaginário político complexo dessas regiões e a relação entre identidade e marginalização, particularmente a influência da conceptualização dos migrantes como o Outro na sociedade europeia contemporânea. Partindo de vários estudos de caso – tanto do ponto de vista teórico, quanto artístico, esta pesquisa pretende compreender como esses projetos exploram formas
de intervenção crítica, dissensão ou disrupção de um regime semiótico dominante ao estimular o pensamento crítico sobre narrativas consolidadas e sistemas sígnicos de identidade e diferença.

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Publicado

28-05-2019

Como Citar

Pereira, P. S. (2019). MIGRAÇÕES, FRONTEIRAS POLÍTICAS E MUNDO DIGITAL. FORMAS DE (IN)VISIBILIDADE E ESTRATÉGIAS DISRUPTIVAS NO ATIVISMO LITERÁRIO E ARTÍSTICO. Diacrítica, 31(3), 57–90. https://doi.org/10.21814/diacritica.388