The On self-image and contemporaneity
From painted self-portrait to selfie. Gesture. Time. Feeling
DOI:
https://doi.org/10.21814/2i.2033Keywords:
image, sel-portrait, selfie, self-representation, narcissism, mediumAbstract
In nowadays global times, artists have detached themselves from traditional media, such as Painting and Sculpture, and are now using diverse materials and plural mechanisms of expression. Everyday common objects are currently used in new spaces of artistic communication such as art markets, biennales and galleries, rather than museums.At present, artists are prioritizing public attention using photography, video, installations and performances. This occurs in a culture of the moment with no space for identity concerns or critical thinking and where the definition of work of artis fading.The author suggests a reflection on there lation between a painted self-portrait and a selfie.
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References
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______ (2018). Arte e infinitude: O contemporâneo entre a arkhé e o tecnológico. Lisboa: Serralves/ Relógio D’Água.
Barthes, R. (2008). A câmara clara [1980, ed. original]. Lisboa: Edições 70.
Benjamin, W. (2012). A obra de arte na era da sua reprodutibilidade técnica e Pequena história da Fotografia. In Sobre arte, técnica, linguagem e política (pp.59–95 e pp.97–113). Lisboa: Relógio D’Água Editores.
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Bonafoux, P. (2004). L’autoportrait au XXe siècle: Moi je, par soi-même. Paris: Diane de Sellier éditeur.
Clair, J. (2008). Autoportrait au visage absent: Écrits sur l’art 1981–2007. Paris: Gallimard.
De Maison Rouge, I., Prévost, J.-M. & Salem, L. (1997). L’art contemporain. Toulouse: Éditions Milan.
Didi-Huberman, G. (2011). O que nós vemos, o que nos olha. Lisboa: Dafne Editora.
Eltchaninoff, M. (2014). Faut-il s’aimer soi-même? Philosophie Magazine, 80, 44–45.
Fontanier, J.-M. (2005). Le vocabulaire latin de la philosophie. Paris: elipses édition.
Gobry, I. (2000). Le vocabulaire grec de la philosophie. Paris: elipses édition.
Guégan, S., Madeline, L. & Schlesser, Th. (2009). L’autoportrait dans l’histoire de l’art: De Rembrandt à Warhol. Paris: Beaux Arts Éditions/TTM Éditions.
Harrison, Ch. & Wood, P. (Eds). (2010). Art in theory 1900–2000: An anthology of changing ideas. Oxford: Blackwell Publishing.
Lacroix, A. (2014), Perdre sa vie à contempler son profil Facebook? Philosophie Magazine, 80, 49–50.
Lalande, A. (1996). Vocabulaire technique et critique de la Philosophie (18.ª ed.). Paris: PUF.
Morfaux, L.-M. & Lefranc J. (2005). Dicionário da Filosofia e das Ciências Humanas. Lisboa: Instituto Piaget.
Pacheco, M. E. V. (2018). O auto-retrato na pintura portuguesa. Lisboa: Caleidoscópio.
Pontévia, J.-M. (2001). Tout peintre se peint soi-même — «Ogni dipintori dipinge sè». Bordeaux: William Blake & Co. Edit.
Rabardel, P. (1995). Les Hommes et les technologies: Approche cognitive des instruments contemporains. Paris: Armand Colin.
Rosenblum, N. (1997). A world history of Photography. New York, London, Paris: Abbeville Press Publishers.
Vanoye, F. (2011) (Coord. cient.). Dicionário de Imagem [2008, ed. franc.]. Lisboa: Edições 70.
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Published
2019-12-20
How to Cite
Pacheco, M. E. V. (2019). The On self-image and contemporaneity: From painted self-portrait to selfie. Gesture. Time. Feeling. Journal 2i: Identity and Intermediality Studies, 1(Especial), 81–91. https://doi.org/10.21814/2i.2033
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