Trauma in "Watchmen"
From the graphic novel to the TV series
DOI:
https://doi.org/10.21814/2i.2508Keywords:
Watchmen; trauma; masks; graphic novel; TV series.Abstract
In 1987, Watchmen changed the comics world through the complexity of its super-heroes and their humane portrayal. Trauma is an essential element to the story, since it affects the heroes of this narrative as much as it does the general population. The TV series Watchmen (2019) draws inspiration from the type of character and atmosphere depicted in 1987, following the legacy of the graphic novel. This brief analysis focuses on how collective and individual trauma are represented in the book and on their follow-up in the TV series, as new traumas surface, also related to the initial narrative.
Downloads
References
Abad-Santos, A. (2019, novembro 4) Watchmen’s Laurie Blake — and how the show is rewriting her comic book origins. Vox. Consultado em https://www.vox.com/culture/2019/11/4/20941740/watchmen-laurie-blake-jean-smart-episode-three
Blake, B. B. (2009). Watchmen: The graphic novel as trauma fiction. Imagetext, 5 (1). Consultado em http://imagetext.english.ufl.edu/archives/v5_1/blake/
Carey, B. (2018, dezembro 10). Can we really inherit trauma? The New York times. Consultado em https://www.nytimes.com/2018/12/10/health/mind-epigenetics-genes.html
Dietrich, B. (2009). The human stain: Chaos and the rage for order in Watchmen. Extrapolation, 50 (1), pp.120-144.
Dekel, R. e Goldblatt, H. (2008) Is there intergenerational transmission of trauma?: The case of combat veterans’ children. American journal of orthopsychiatry, 78 (3), 281–289.
Ellsworth, S. (s/d). Tulsa race massacre. The encyclopedia of Oklahoma history and culture. Consultado em https://www.okhistory.org/publications/enc/entry.php?entry=TU013
ETH Zurich. (2014, abril 13). Hereditary trauma: Inheritance of traumas and how they may be mediated. Sciencedaily. Consultado em www.sciencedaily.com/releases/2014/04/140413135953.htm
Evans, E. (2020, janeiro 3). Watchmen is a powerful exploration of black trauma, and everyone needs to watch. Huffpost. Consultado em https://www.huffpost.com/entry/watchmen-episode-6-hooded-justice-race-trauma_n_5ddc92ece4b0d50f32958d9e
Fishbaugh, B. (1998) Moore and Gibbons's Watchmen: Exact personifications of science. Extrapolation: A journal of science fiction and fantasy. 39 (3), 189–198.
Galea, S., Ahern, J., Resnick, H., Kilpatrick, D., Bucuvalas, M. e Gold, J. (2002). Psychological sequelae of the September 11 terrorist attacks in New York city. The New England journal of medicine. Consultado em https://www.nejm.org/doi/full/10.1056/NEJMsa013404
Hatfield, C., Heer, J. e Worcester, K. (2013). The superhero reader. Mississipi: University Press of Mississippi.
Hirschberger, G. (2018). Collective trauma and the social construction of meaning. Frontiers in Psychology. Consultado em https://www.frontiersin.org/articles/10.3389/fpsyg.2018.01441/full
Hughes, J. (2006). “Who watches the Watchmen?”: Ideology and ‘real world’ superheroes. The journal of popular culture, 39 (4), 546–557.
Jones, M. (2019). How Watchmen explores generational black trauma and provides a path beyond the pain. Shadow and Act. Consultado em https://shadowandact.com/how-watchmen-explores-generational-black-trauma-and-provides-a-path-beyond-the-pain
Keating, E. M. (2011). The female link: Citation and continuity in Watchmen. The journal of popular culture, 45 (6), pp.1266-1288.
Lindelof, D. (Produtor). (2019). Watchmen [Série televisiva]. Estados Unidos da América: HBO.
Mahmutović, A. (2018). Chronotope in Moore and Gibbons’s Watchmen. Studies in the novel. 50 (2), 255–276.
Moore, A. (Escritor) & Gibbons, D. (Ilustrador). (1987). Watchmen. : DC Comics.
Norman, S. (2019). Treating guilt and shame resulting from trauma and moral injury. The international society for traumatic stress studies. Consultado em https://istss.org/public-resources/trauma-blog/2019-september/treating-guilt-and-shame-resulting-from-trauma-and
Pellitteri, M. (2011). Alan Moore, Watchmen and some notes on the ideology of superhero comics. Studies in comics, 2 (1), 81–91.
Sundar, P. (2019). Watchmen episode 5: Wade Tillman's journey to become Looking Glass is filled with deep despair and trauma of surviving the giant squid. Meaww. Consultado em https://meaww.com/watchmen-episode-5-review-wade-tillman-looking-glass-rorschach-seventh-kavalry-attack
Thomson, I. (2005). Deconstructing the hero. In Comics as philosophy (pp. 100–129). Jackson: Universtiy of Mississippi.
Willenborg, P. (2019). “Wounds need air”: Personal trauma in Watchmen. 25YL. Consultado em https://25yearslatersite.com/2020/01/09/wounds-need-air-personal-trauma-in-watchmen/
Wright, B. (2001). Comic book nation: the transformation of youth culture in America. Baltimore: The John Hopkins University Press.
Wolk, D. (2007). Reading comics: How graphic novels work and what they mean. Cambridge, MA: Da Capo Press.