DA Dandy
Antifashion & Counter-gender in Dadaism
DOI:
https://doi.org/10.21814/2i.3164Abstract
From the 1920s, Dadaism presented works that introduced the transformation of identity in countless photo-performances.Among the transvestites and ambivalences of the genre, artists problematized the performativity of genres by the image of art.From this, they made visible the conflict between identity, social roles and sexuality.Artists resumed the spiritual strategy of dandism to give visibility to the ambivalences of the genre, subverting its original essence to introduce the Da Dandy aesthetic.By adopting an anarchic stance, they crossed the border between anti-art and anti-fashion, celebrating anti-fashion through a praise for cultural decay.This article examines how Da Dandyism built, in the sphere of artistic fiction, a discussion about the taste and experience of the beautiful in order to transfigure the aesthetic dimension of art.
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